Thursday, August 28, 2008

The Dandiest Hat


Perhaps the dandiest of hats is the slightly textured coke (or bowler or derby) hard hat in a shade of brown. Originally intended to protect men on horseback and once considered "the hat that won the west" by no less of an authority than Lucius Beebe, we see few cokes today and those are usually the black ones. The textured version for less formal pursuits is the rarest of the rare, despite its utility as head protection. Of course, this may have something to do with the frequency with which men today ride horses.

Those of a technical bent will be interested to know that, according to Art Fawcett at VS Custom Hats, the structure of a coke is achieved with paper-mâché. Once the paper is dry, the hatmaker applies lacquer and blows felt onto the surface. The texture is achieved when the pre-colored felt is brushed out.

Model for today's hat is the flâneur Richard Merkin. Sometimes described as Rhode Island’s most famous New York artist, Merkin was a Professor (now emeritus) of Painting at the Rhode Island School of Design for nearly forty years beginning in the 1960's while somehow managing to be one of New York's most visible men about town during the same period. Merkin's work is in the permanent collections of this and that museum and he has been a contributor of both illustration and writing to several magazines but, perhaps most relevant to this essay, he's also distinguished for his appearance on the cover of the Beatles' Sgt. Pepper's Lonely Hearts Club Band album (back row, right of center).

Mr. Merkin combines his undoubtedly bespoke hat with a white collared pink shirt, a gray and white checked necktie, and a tan Donegal tweed jacket with turnback cuffs. One expects that he knew that, according to the Victorian era's language of flowers, his yellow carnation states "You have disappointed me." A suitable attitude for a man wearing a coke, no?

6 comments:

The People's Business said...

Will,

Superb photo. I especially appreciate the rounded collar on this shirt. Interestingly, the spread is a little wider than I've seen on shirts with rounded collars. Usually, they look like they could be pinned. So much to learn by studying this shot.

-DC Lawyer

Cimarron Bill said...

Will,
A brilliant dandy. One small note, however, is that the pinky ring was traditionally on the left hand, as the right was to be free for fencing, unencumbered. Furthermore, it avoids injury from a firm handshake of the right hand.

NF12 said...

Wow. Great picture of Mr.Merkin. Where did you find it? I have been looking all over for pictures of him.

rip said...

I notice, approvingly, that he has eschewed the pocket square in favor of the flower. Together, they would have been just a touch too much

Simon Crompton said...

Will, I notice Mr Merkin has an unusual, vertical tie pin. Do you know anything about this and where one could get one?

Simon

Bruce said...

I would be curious to know how old that photo of Richard Merkin is. I was a student at RISD in the mid 70's (fall '73 to spring '75 - then I woke up), and remember Richard in his flaneur mode - impeccable, even when teaching a painting class (not the nicest place to wear nice clothes).

I live not far from his digs (present, or not so far in the past), and do occasionally see him in the neighborhood, but from my more recent sightings, it would seem that he has given up his flaneurial role for togs much more pedestrian. (He's also much heavier, which may account for the abdication from sartorial splendour.)